Inicis (1986-89)


Two worlds, apparently opposite to each other coexist in her work. One of them is close as life itself; like as the leaves of a slender palm tree, like the sienna of crumbling walls, like the ardent juxtaposition of buttress arches in Palma’s Cathedral, like the private wardrobe wide open to show the privacy of its objects as if our "voyeurism" had slaughtered that insomniac animal. Dolores Sampol does a vivid reading of our everyday life; with an almost photographic daring, but dust of her brushstroke inform us only about the game, the interpretation is much more daring. > Read article

Àngel Terron